NATURALIZATION IN THE ARTS OF POSTMODERNISM AND ITS MANIFESTATIONS IN THE PRODUCTIONS OF ART EDUCATION STUDENTS

Abstract

The arts, in their artistic and aesthetic forms and formations, are among the most important languages of expression and understanding between peoples in all their dimensions, cognitive trends, and differences from ancient times to our time, and between the emergence of a new style in social and economic life, the so-called (post-industrial society), so the old idea associated with artistic work changed with The emergence of the postmodern movement and its manifestations in the arts, as it does not carry a temporal connotation as much as it is a term that has its intellectual and critical connotations that indicate a comprehensive intellectual framework for a number of artistic currents and modes of expression that began to invade the art scene in the West since the sixties of the twentieth century until now as a result of transformations And cultural, scientific, political, social and economic variables, so that its general philosophy focuses on demolishing the barrier set by the arts of modernity between high culture or what is called elite culture and between low culture, which is called mass culture, which gave it an opportunity to re-read and formulate the concept of artistic work and the role of the artist and the function of the recipient in the relationship between them, and naturalization became a goal in itself an artistic phenomenon in which the types of artistic genres fused in order to achieve the act of appearance A vision in its forms of the function of genders and its association with displacements that constitute the contradiction in the context of the realization of the visual field.